BOOKS

ANKIZA
When an interracial couple begins to date, they’re mildly surprised (in ways good and bad) by the unexpected reactions of some of their friends.
“The author tackles a powerful social issue with compassion and honesty. A good discussion starter with a satisfying ending.” — KIRKUS REVIEWS

TEEN ANGEL
Celia is a beautiful young girl on the brink of her sophomore year of high school. But when Celia discovers she is pregnant, problems spiral around her. What happens when her fellow students at Roosevelt High find out?
“[T]he characters and situations are true to life... this book would be an excellent choice for classroom discussions and for reading groups.” — VOYA
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“...one of the best young adult novels on the market today. It is difficult, hopeful and loving.” — NEWS PAGES

TYRONE'S BETRAYAL
In this seventh novel in the popular Roosevelt High School Series, Tyrone must deal with his feelings of anger and betrayal as the son of an alcoholic, absentee father while struggling to fulfill his dream of attending college.
“...this book will hold teens’ attention, especially reluctant readers.”
— SCHOOL LIBRARY JOURNAL
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“[This series] provides not only positive role models but also constructive ideas for resolving social and cultural issues often facing multiracial teens.”

RUDY'S MEMORY WALK
Rudy's Memory Walk is the eighth novel in Gloria Velásquez's popular Roosevelt High School Series. This engaging novel for young adults tackles the problem of elderly family members who begin to suffer the effects of Alzheimer's.
"Educational and at the same time compelling, the novel raises teenagers' awareness on [Alzheimer's]." — KIRKUS REVIEWS


TOMMY STANDS TALL
Tomás “Tommy” Montoya is a senior at Roosevelt High, previously suicidal and bullied at school because he is gay. The ostracism of gays and lesbians—particularly in Hispanic communities—is a strong theme in the book, though other members of the LGBTQ community are rarely mentioned. When Albert, a fellow student, is badly beaten, Tommy reaches out, sensing Albert is gay and the victim of a hate crime, an action that eventually leads Tommy to found a Gay/Straight Alliance Club. Velásquez paints the issues with a broad brush, portraying the students from the school’s Christian Club as intolerant and giving all characters who display homophobic behavior religious reasoning—an easy polarization that does not line up with reality. Strangely, Tommy’s first-person narration is interspersed with chapters in the voice of therapist Ms. Martínez, an adult, whose story revolves around her suspicion that her younger brother, who committed suicide, was gay. With sometimes-clunky dialogue and minimal characterization, this book is admirable primarily for addressing the plight of gay and lesbian teens in Latino communities.
FORGIVING MOSES
Moses Vargas hates his life. He has been forced to move four times in as many years, and he’s tired of starting at another school, having everyone stare at him and trying to make new friends. Most of all, he doesn’t want to have to deal with questions about his father—an inmate in the California Department of Corrections.
When Moses discovers that someone has been sending out text messages with a photo of him and his father in a prison uniform, he ends up in a fight and then suspended for three days. School counselor Ray Gutiérrez reaches out to Moses, inviting him to an after-school support program called Círculos for students dealing with absentee fathers.
Moses grudgingly attends the sessions that draw on indigenous and cultural roots to empower the boys. Realizing he is not the only one with a problematic home life—and the new friendship of a pretty classmate whose father is also in prison—helps Moses to begin talking about his anger and embarrassment. But will he really be able to overcome his resentment towards his father?
The tenth installment in Velásquez’s acclaimed Roosevelt High School Series that focuses on social issues relevant to teens, Forgiving Moses addresses the painful issue of children, particularly brown and black youth, whose fathers are not present in their lives. Touching on the disproportionately high number of men of color in prison and its effects on society, this short novel for teens will generate conversations about the possible consequences of making bad choices, responsibility to family and the impact of incarceration.

J'AIME QUI JE VEUX
Depuis que Hunter et Ankiza sortent ensemble, les gens autour d'eux ont de violentes réactions. Regards insistants, remarques désagréables, insultes. Tout ça parce que Humer est blanc et Ankiza métisse ! "Personne ne pourra nous empêcher de nous aimer", se promettent-ils. Mais comment lutter contre la haine et la bêtise ?
POETRY
ODE TO RODNEY KING
Michael Brown
He shot and killed you.
He murdered you
for being African-American.
No justice for young
being African-American. Black men
in Sundown Towns like Ferguson
where military police tactics rule.
“Has anybody here seen my old friend, Bobby?
Can you tell me where he’s gone?
He’s freed a lot of people but it seems
the good they die young
I just looked around and he’s gone.”
“Has anybody here seen my old friend, Michael?
Can you tell me where he’s gone?
He’s freed a lot of people but it seems
the good they die young
I just looked around and he’s gone.”
By Gloria L. Velásquez
August 16, 2014, San Luis Obispo
SELF-PORTRAIT:
FRANCISCA MOLINAR VELÁSQUEZ
The Measure of a Man
Sydney Poitier
The Measure of a Woman
Francisca Molinar Velásquez
Proud African-American
Proud Mexicana Xicana
Cat Island in the Bahamas
Johnstown in Colorado
Two Different Lives
Both from the Same Generation
One a Hollywood Actor
The Other a Sugarbeet Worker
One Tall Dark and Handsome
The Other Short Brown and Beautiful
One Articulate
The Other Bilingual
Both endured History
The History of Being Poor and Oppressed
By Gloria L. Velásquez
June 11, 2007 , Los Angeles, CA
hijos del sol
Hijos del sol y la luna
y la Madre Tierra
Escúchame bien
Amar
Vivir
Soñar
To love
To live
To dream
To seak God's truth
Ver la flor
Y probar su esencia
Ver al niño desemaprado
Y darle tu amor
Y limpiarle las lágrimas
Ver al inmigrante trajador
Y ofrecerle tu compasión
By Gloria L. Velásquez
June 16, 2013, For MLL Commencement
DARE TO DREAM
Dare to dream as I have done From the Farmworker Fields
of Colorado
To Stanford University
From days of government staples
Food stamps
No Mexicans Allowed Signs
To United Farmworker Strikes
Anti-Vietnam War Rallies
Hoover Tower Protests
And “the Times They are a Changin…”
Dare to Dream
Dare to shout out loud
I can change the World
I believe
I believe
I believe that I have the power
To be a Voice for the Voiceless
To make Visible those who
Are deemed Invisible
To Speak Out for Social Justice
Gay rights and Human rights.
And on this 9th day of June
Surrounded by Chumash spirits
By those who have guided me
With their Knowledge and Wisdom
I Dare to Dream
I Dare to Believe
I Dare to Spread my Wings
And Soar High like the Eagle.
By Gloria L. Velásquez
June 4, 2010, San Luis Obispo, California
EDUC-ACCIONISTAS
My brown-eyed chavalitos
de Nogales
de Sacra
de Colorado
de Southside Chicago schools,
Edúquense bien.
Aprendan bien el inglés
So that you can become our future
Leaders
Teachers
Scientists.
Nuestros hijos del sol,
olvídense de las pandillas
y las drogas—“We’re only
killing each other.”
Sean orgullosos
Educ-accionistas
daring to challenge
leyes que explotan
como lo hizo César.
Indígena warriors
Indígena Adelitas
en uds. pongo toda mi fe
y mi cariño sabiendo que
el día que ya no esté aquí,
mi espíritu
mis huellas
mis palabras
en uds. quedarán.
¡Adelante chavalitos!
¡Pónganse trucha con su FUTURO!
By Gloria L. Velásquez
April 1, 2004, SacraAztlan
HEINMOT TOOYALAKET
Chief Joseph,
How could they have shamed you
and your people in this land of plenty,
forcing you into concentration camps, contaminating you with diseases,
raping your children’s identity?
Chief Joseph,
How could they have ignored your greatness
and the suffering of your people,
writing stories about the early pioneers,
Basque settlers,
The Oregon Trail,
Lewis and Clark
While the history of the Nez Percés,
The Piaute
The Shoshone
And other exterminated nations
is neatly tucked away in museums,
DEAD INDIANS on display,
EXTINCT like pre-historic remains.
Chief Joseph,
Today I shed tears of vergüenza
For you and your people
For my Navajo ancestors,
For all my indigenous brothers and sisters
Who remain INVISIBLE in this mythical
Land of the AMERICAN DREAM.
Chief Joseph,
How could they have shamed you?
By Gloria L. Velásquez
Oct. 9, 2004, Ontario, Oregon
EDUCATE
Edúcate, Raza
Young Chicanitos
Aztec warriors of Aztlán.
Hey, homeboy,
I’m not ready to have babies
smoke dope or die
from gang wars on the Rez.
I want to spread my wings,
soar high above the skies.
Get a Ph.D.
Become a scientist
Teach our children in the
classrooms on the Rez.
Edúcate, Raza,
young Chicanitas
Women warriors of Aztlán
Hey, homegirl,
I don’t want to hang out
get pregnant
or be a drop out
I want to be somebody
write verses, create dreams
be a leader
like Dolores Huerta.
Edúcate, m’ijam
me decía mi mamá,
me decían mis tías
their faces tired
their bodies bent from
picking strawberries and
scrubbing floors.
Edúcate, mujer.
Adelante chavalitos,
The future is yours.
By Gloria L. Velásquez
1997, I Used to be a Superwoman
SONG OF ROSA
Rosa Parks
Eres mi madre.
You are my mother
Hoeing sugar beets all day long
In the fields of northern Colorado.
Rosa Parks
Eres mi abuela.
You are my grandmother
Crossing the demon river with her children
To create a better life.
Rosa Parks
Eres la mujer fronteriza.
You are the border woman
Enslaved in sweat shops
To feed your hungry children.
Rosa Parks
Eres Zora Neale Hurston.
You are Zora Neale Hurston
Unafraid and daring to cross
The streets in the white part of town.
Rosa Parks.
Eres Dolores Huerta.
You are Dolores Huerta
Beaten and jailed for daring to take on
Agri-buisness slave masters.
Rosa Parks
Eres los rostros de mis nietos
Your are the faces of my grandchildren
Xicano Black and proud
In the Crossroads of two cultures.
Rosa Parks
Today I bid you farewell
Honoring your legacy,
Speaking of your courage and strength
To our Black and Brown Warriors of Aztlán.
By Gloria L. Velásquez
October 25, 2005
XICANA POWER TRIP
Speak up, mujer!
Sube la voz.
Alza la mano,
no dejes que te encierren
en tu propio silencio.
Dare to speak out.
Dare to be different.
Dare to create tu propia identidad,
la de tu madre y abuelita
y todas aquellas mujeres adelitas.
Speak up, Xicanita!
Tell those young loverboy vatos
Chale, ese!
I’ve got my own sweet dreams.
Don’t want to get pregnant at fifteen
to raise babies alone.
Quiero ser revolucionaria,
mujer de valores,
mujer educada,
mujer Sor Juana.
So speak up, mujer!
Sube la voz.
Alza la mano.
Do it RIGHT NOW.
By Gloria L. Velásquez
January 27, 1999 Christi gig
dine xicana
They tried to take the Indian out of you
colonizing you with cotton shirts and pants making you swallow your Diné words
only to spit out broken American English.
They tried to take the Indian out of you
forcing you to raise your children under
the white man’s rules only to see your sons
die from alcohol or American made Wars.
They tried to take the Indian out of you
only they couldn’t--you wouldn’t let them
You chanted to the Spirits at night and told
me stories about Taos and my Diné abuela.
They tried and tried but they couldn’t take
the Indian out of you for here I stand tall
with my proud Diné heart and soul
chanting loudly to the Spirits
to my Ancestors
to Creator to my Diné abuela
in this solitary elite San Luis Obispo barrio.
By Gloria L. Velásquez
September 5, 2018 San Luis Obispo, Ca
another veteran's day
Vietnam everywhere
like a shadow,
it sears my soul
like Fini’s remains
in that closed coffin.
Vietnam everywhere
like my recurring dream,
Fini and I playing toy soldiers
on the patron’s ranch,
our childhood inocencia.
Vietnam everywhere
lurking in every solitary space
when I awaken in the morning
when I go to bed each night,
allí está esperándome…
Francisca died with Vietnam
in her broken heart,
Dad died with Vietnam in his sad
alcoholic eyes while they recited
the names on the Wall.
Vietnam
Vietnam
Is Fini still alive in Quang Tri?
Vietnam
Vietnam
Why won’t you leave me alone?
By Gloria L. Velásquez
November 8, 2017 San Luis Obispo, Ca
music
Original poems and songs written and performed by Gloria L. Velásquez

superwoman chicana
This CD is dedicated to my mother, Francisca Molinar Velásquez, and to the memory of my father, John E. Velásquez and my brother, John Robert Velásquez.

double bubbleheads
The Double Bubbleheads CD is a bilingual/bicultural collection of thirteen children’s songs written and performed by the acclaimed author, Gloria L. Velásquez. The Double Bubbleheads songs illustrate a variety of themes to teach children about the rich cultural identity of Chicanos. Included are songs that emphasize the concept of familia in the Chicano/Latino community as well as the significance of historical figures such as César Chávez and Dolores Huerta. Many songs are playful and funny, teaching specific vocabulary in Spanish about parts of the body, colors, and animals. The Double Bubbleheads CD also has a companion songbook, which includes the lyrics for each of the thirteen songs.